GEORGE STRAIT TURNS HIS SPOTLIGHT ON A LITHIUM RUSH
George Strait, the famously soft-spoken “King of Country,” seldom wades into public policy. Yet this week the 74-year-old artist released a sharply worded open letter opposing a proposed lithium-extraction complex outside Poteet, the strawberry-farming town where he first chased rodeo dreams and still owns several hundred acres of grazing land.
“South Texas has always given more than it’s taken,” Strait wrote. “Drawing millions of gallons from our aquifer to ship batteries worldwide is not stewardship—it’s strip-mining the future.”
Filed with the Texas Railroad Commission—which regulates mineral development—the project would pump brine from the Carrizo-Wilcox Aquifer, evaporate it in sprawling ponds, and process it into lithium carbonate for electric-vehicle batteries. Company executives claim the facility could produce 25 000 metric tons annually while creating 450 local jobs.
Strait’s letter cites contrasting figures:
- The extraction process would withdraw an estimated 12 million gallons of groundwater per day—roughly the consumption of 28 000 households.
- Up to 900 acres of mesquite scrub would be leveled for evaporation ponds, bordered by 35-foot berms that locals argue will disrupt wildlife corridors.
- The site sits less than three miles from residential wells supplying some 1 800 ranch families.
“It’s not anti-technology,” Strait added in a radio interview. “It’s pro-responsibility. You can’t drain an aquifer that drought still haunts every summer.”
TANYA TUCKER RALLIES AGAINST A 765-KILOVOLT CORRIDOR

Ninety miles north, country powerhouse Tanya Tucker continues her own fight: halting a 200-mile, 765-kilovolt transmission line that would slice through Central-Texas ranch country to funnel renewable energy to urban centers. Tucker owns a horse property near Llano and argues that massive lattice towers—some reaching twenty stories high—would fragment pastures, scatter whitetail deer migrations, and pierce night skies with perpetual aircraft-warning beacons.
“I’m all for green power,” Tucker told reporters, “but green shouldn’t trample the very land that feeds the grid.”
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The line, backed by LoneStar Electric Transmission Co., is under review at the Public Utility Commission of Texas (PUCT). Company filings tout greater grid stability and a potential curbing of urban blackouts. Opponents, including Tucker, ranchers, and Indigenous groups, say the environmental impact statement understates harm to the Edwards Plateau groundwater recharge zones.
WHY THESE ARTISTS SPEAK NOW
Both stars built careers on themes of regional pride and rural grit. Strait’s catalog is laced with references to windmills and pickup trails; Tucker’s hits celebrate hardscrabble resilience. Until now, their activism focused on philanthropic efforts—children’s hospitals, veterans’ charities, rescue-dog programs—not land-use politics.
Music historian Dr. Emily Ward of Texas A&M believes shifting demographics and rapid industrial expansion across Texas rangeland have pushed the artists to act. “Lithium and transmission corridors represent 21st-century gold rushes,” Ward says. “Strait and Tucker personify cultural continuity; if they don’t speak for the land, who will?”
THE LOCAL STAKES

Water Worries in Poteet
- Poteet Strawberry Cooperative president Raul Villarreal fears the lithium project would drop the water table, endangering the region’s berry farms. “Strawberries can’t grow on promises,” he quipped. Locals have launched a petition now exceeding 14 000 signatures, demanding an extended public-comment window.
Health Concerns in Central Texas
- In Llano County, pediatrician Dr. Marisol Reyes worries about long-term exposure to electromagnetic fields. While federal guidelines deem EMF from high-voltage lines safe, Reyes argues studies remain inconclusive for children living within 500 feet of such corridors.
INDUSTRY RESPONSE
Rio Grande Lithium LLC, developer of the Poteet complex, claims its closed-loop design will recycle 80 percent of extracted brine. CEO Martin Nash told this newspaper the company is “open to community forums but will rely on science, not celebrity.”
Meanwhile, LoneStar Electric contends its route minimizes ecological disruption by paralleling existing highways. A spokesperson called Tucker’s criticisms “passionate but misinformed,” noting the PUCT’s environmental study spans 900 pages.
CAN STAR POWER CHANGE REGULATORY OUTCOMES?

Past precedent suggests celebrity pressure can at least delay projects. Willie Nelson’s 2019 petition against a high-speed rail spur forced a supplemental environmental review; the line was eventually rerouted. Legal analyst Karen Doyle says Strait’s and Tucker’s clout may secure extended comment periods, but final decisions will hinge on hydrological data and eminent-domain law.
“Texas policy isn’t decided by guitars,” Doyle notes, “but guitars can amplify the voices that usually get drowned out.”
NEXT MILESTONES
| Project | Agency | Key Date |
|---|---|---|
| Poteet Lithium Extraction | Texas Railroad Commission | Sept 15, 2026: public-hearing deadline for groundwater-impact testimony |
| Central-Texas 765 kV Line | Public Utility Commission (PUCT) | Oct 3, 2026: final route recommendation to commissioners |
Strait has pledged to attend the September hearing if scheduling allows; Tucker confirmed she will testify at the October PUCT session.
A BROADER CONVERSATION ABOUT TEXAS GROWTH
With the state population topping 32 million and energy demand forecast to rise 17 percent in five years, Texas grapples with balancing economic expansion against land stewardship—a tension Strait captured in his letter’s closing line: “Progress can build highways, but it shouldn’t bulldoze home.”
THE FINAL CHORD
Neither George Strait nor Tanya Tucker stands to profit personally from these battles. Both could retire quietly, living off royalties and touring legacies. Instead, they are leveraging fame to shield communities without press agents, filing lawyers, or Twitter megaphones.
Whether regulators side with industry or icon remains to be seen. But in a state where country songs double as oral history, two voices that once serenaded dance halls are now echoing in hearing rooms. And that, local ranchers say, is worth more than a front-row ticket—it’s a fighting chance to keep Texas land sounding like Texas.



